In the Next Room
or the vibrator play
by Sarah Ruhldirected by Richard Rose
Canadian Premiere
At the dawn of the age of electricity an ambitious doctor uses a newfangled device—the vibrator—to induce paroxysms in his female patients. His young wife is fascinated with the sounds emanating from the next room. Can this new gadget solve the age-old problems of love?
Sarah Ruhl’s plays have been produced across the US and include The Clean House (Pulitzer Prize finalist, 2005; Susan Smith Blackburn Prize, 2004). In the Next Room was a finalist for the 2010 Pulitzer Prize for Drama and was nominated for the 2010 Tony Award for Best Play.
A co-production with The Royal Manitoba Theatre Centre (Winnipeg).
two hours including one intermission.
Notes
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Design Talks
— Tuesday, September 13 at 7pm,
-
Free Lecture Series
— Saturday, September 24, at 1pm.
Play Guide
Thanks to the miracle of electricity, the mysterious glow of electric lights reaches a well-to-do home in Victorian era New York. Mrs. Catherine Givings can turn a lamp on-and off-with a flick of a switch. Her husband, Doctor Givings, is also fascinated with what electricity can do to revolutionize his practice - and the health of his patients. In his operating theatre, adjacent to the couple's parlour, Dr. Givings recently installed a strange electric-powered box.
The doctor's newest patient, Mrs. Daldry, comes to him suffering from symptoms that alarm her husband. Sensitivity to light and cold. Complaints of fatigue and inexplicable weeping. The diagnosis is obvious to Dr. Givings: hysteria. His treatment is a revolutionary therapeutic electrical massage, which promises to relieve pressure on Mrs. Daldry's nerves. "You will soon have your wife back," Dr. Givings assures Mr. Daldry. "You will soon be wondering how it is Mrs. Daldry looks so much like a seventeen-yearold."
With the help of the doctor's assistant, Annie, Dr. Givings administers this new-fangled treatment until Mrs. Daldry experiences a "paroxysm" and the session is deemed a success. Alone in the next room, Mrs. Givings begins to wonder what this revolutionary new treatment is? All she knows is Mrs. Daldry emerges a new woman.
Mrs. Daldry is amiable to return for another treatment the following day.
Meanwhile, languishing from loneliness and unhappiness, Mrs. Givings becomes increasingly curious about the mysterious mechanical sounds and alarming cries emanating from her husband's operating theatre.
That evening Dr. Givings leaves for the club to discuss electricity with his colleagues. Mrs. Givings, aided and abetted by Mrs. Daldry, seizes the opportunity to unravel the mystery of the device.
Videos
Articles
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Wajdi Mouawad and Richard Rose:
A match made in theatre heaven
Kelly Nestruck interviews director Richard Rose in the Globe and Mail. -
Deep in the Forests
NOW Magazine's Jon Kaplan interviews Sophie Goulet.
In the Mainspace
September 13–October 23
Opens Wednesday, September 21, 2011
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supported by:
Judy & Michael
Firestone
Cast and Crew
- written by Sarah Ruhl
- directed by Richard Rose
- set and costume design by
David Boechler - lighting design by Rebecca Picherack
- sound design and music by
John Gzowski - stage manager Kinnon Elliott
- assistant director Jodi Sprung-Boyd
- Starring
Trish Lindstrom
Melody A. Johnson
Marci T. House
David Storch
Elizabeth Saunders
Ross McMillan
Jonathan Watton
- photography by Cylla von Tiedemann
